Lisa Richard Is an Executive by Day,
a Singer by Night, but 'I Don't Mix My Worlds'
By: MIKE BOEHM TIMES STAFF WRITER
Most people who lead double lives
eventually pay a price for it. Lisa Richard says her double life pays off
in double satisfaction.
The Laguna Beach resident balances a
high-powered business career as a vice president for Toshiba with a life
of artistic pleasure made possible by a versatile, high-powered singing
voice.
Richard has acted and sung in musicals since
her arrival in Orange County in 1990. She has branched out as a cabaret
singer with periodic gigs at the Cinegrill in Hollywood, and last year
released a CD on a specialty label that sells nationally to cabaret
aficionados.
Now the singer with the double life has
organized a musical doubleheader. She will team Saturday with her friend
Susan Egan, the Broadway star from Seal Beach, in a fund-raiser for No
Square Theatre, a community theater in Laguna Beach.
Egan will sing a solo and a couple of duets
with Richard to return a favor. Richard sat in as her guest singer and
duet partner in a series of Southern California cabaret performances Egan
headlined about a year ago, including a stand at Founders Hall at the
Orange County Performing Arts Center.
Richard "easily could be a professional, if
that's what she chose to be, but she balances both because she loves her
other life, too," Egan said in a phone interview from her home in Los
Angeles.
Egan made her first mark on Broadway
originating the ingenue role of Belle in "Beauty and the Beast" and showed
she could play darker, edgier roles during a yearlong Broadway stretch as
Sally Bowles in Sam Mendes' revival of "Cabaret." She is back in Southern
California playing her first part as a TV series regular in "Nikki." Still
coiffed in her Bowles cut--a dyed, jet-black, neoflapper hairdo--Egan
plays a jaded Las Vegas showgirl, a sardonic foil to sweet-natured star
Nikki Cox in the new Sunday night series on the WB network.
Egan and Richard met when a mutual
friend, Laguna Beach singer Karen Rymar, urged Egan to check out Richard's
act at Cinegrill. Egan, 30, was struck by Richard's voice during the
performance, and afterward by her outgoing, boisterously humorous
nature.
Richard, 40, says she has been a ham since the
fifth grade, when a community college in her hometown of Herkimer, N.Y.,
drafted her to play a little Von Trapp in its production of "The Sound of
Music."
She was reared on a dairy farm but by age 13
had established some diva credentials by refusing to do her share of the
chores pitching hay and mucking out the stalls.
"I didn't want to smell like cows. I got out of
chores by yelling and screaming, sheer will and defiance," the upbeat,
enthusiastic Richard said in a recent interview in her office at the
Toshiba complex in Irvine.
There was no similar struggle over her career
path. Her parents wanted Richard to go to college rather than jump
headlong into show biz, and she fully agreed.
"I never had that 'I have to do this or die'
thing many performers go through, where they have to live in a hovel in
New York and try to make it," Richard said. She majored in chemistry at
Colgate University in upstate New York, then earned a master's in business
administration from Rutgers in New Jersey.
At Toshiba, she is vice president for strategic
business planning in the division that makes and sells copiers, fax
machines and network printers. The job involves finding ways to make the
Internet and new computer software work to the company's advantage. On the
Cover
Last June, a business trade publication,
Information Week, put Richard on its cover. But the article made no
mention of her other life as a singer.
"I don't mix my worlds," she said. "I don't
ever want Toshiba questioning my putting everything I can into this job. I
also was a little fearful [entertainment] people would say, 'She can't
possibly be serious as a singer if she has a day job.' Both are equally
valuable to me. I don't want to give up one or the other."
Richard said she told nobody at Toshiba when
she was recruited to sing "The Star Spangled Banner" before a Mighty Ducks
game at the Arrowhead Pond of Anaheim. Co-workers were at the game and
presented her the Mighty Ducks souvenir doll that rests on a window ledge
in her office. Attached is a heart-shaped note that says, "Busted."
Instead of decorating her office with photos from musicals she has
done--including turns at the Laguna Playhouse in "Working" and "Inside
Out"--she has a large and very idiosyncratic collection of Diet Coke cans
from around the world.
Richard says she reaped one music career
advantage from her business career: She was able to bring her usual
backing trio with her when she made her weeklong New York City cabaret
debut last October because a Toshiba dealer she had met offered them the
use of his Manhattan apartment.
She says she likes to give her shows a
personal, open touch, so life on the executive track does come up during
her performances.
"I explain my worst fears, my traumas growing
up as an ugly girl. I make fun of myself at this [business] job. I've been
single all along, and I talk about that, too. It can be really hard to
have a serious drive in a career, and here I am, trying to have two
careers--and have a family as well."
Richard is broadening her reach with her CD,
"Born to Entertain," released last year on the Los Angeles label LML
Music. She wanted to show the full range of her interests, from
traditional Broadway belting and torchy dramatic ballads to a
rock-influenced number from "Chess" and a take on Petula Clark's 1960s pop
hit "Downtown."
"She's got an incredible vocal range, a really
strong instrument," says Lee Lessack, who owns LML and is himself an
established touring cabaret performer. Lessack says that a cabaret album
on an independent label like his is considered a solid success if it sells
more than 5,000 copies. Sales of 1,000 to 2,000 are the norm.
He thinks Richard's executive job at Toshiba is
a plus rather than a hindrance. "She's in the best position, because you
have to be able to afford to be a cabaret artist. It's not a moneymaking
proposition most of the time. I think it also makes you a better
entertainer if you're living out in the real world. You have more to draw
upon than when you're just working on music. Your life experience and
point of view is a little different."
Richard is one of the founding officers of No
Square Theatre, which was launched in 1997 to fill the amateur theater
void left in Laguna Beach after the Laguna Playhouse, long one of the
leading community theaters in the region, became a professional company
using mainly union actors.
Richard, who never studied acting or singing,
learned her art in community productions on the East Coast. When she came
to Orange County, doing community theater was her way of finding a circle
of friends.
"It's so enriching to be able to have [theater]
in your life without being a professional at it," she said. Which is why
she volunteered to do the benefit show.
Egan didn't hesitate to pitch in when Richard
asked her to join her. She, too, got her early experience in community
theater.
After years of the eight-shows-a-week demands
of performing on Broadway or in touring musicals, Egan says she is
enjoying the comparatively leisurely life of a TV actress. In her down
time from "Nikki" she often performs in symphonic pops concerts around the
country, joining two other Broadway singers for performances built around
familiar show tunes.
She is working on her first album, a
retrospective built around songs she has sung in various shows. She says
the London Symphony Orchestra provides the accompaniment on the disc,
which she expects to be out this summer on Jay Records, a British label.
'We're Pros'
Richard and Egan are confident they can mesh
nicely without much rehearsal.
"Our voices blend really well together, and
our senses of humor just blend," Egan said. "Lisa is outrageous and
I'm deadpan. We have a great time, and [what they say on stage] is just an extension of our relationship."
Richard snapped her fingers rapidly three times
when asked whether she and Egan would get enough practice time before the
show.
"It's not a big deal," she said. "We're
pros."
SHOW TIME
Lisa Richard, with special guest Susan Egan,
Saturday, 8 p.m., Artist's Theater, Laguna Beach High School, 625 Park
Ave., Laguna Beach. $18. (949) 515-6254.
THE PHOTOS INCLUDED ON THIS PAGE DID NOT
ACCOMPANY THE ORIGINAL LA TIMES ARTICLE.
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